Category: Garage Revival
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The piece explores the mythical and chaotic nature of a rock band, “The Untold Fables,” blending themes of transformation and madness. It captures the energy and intensity of their music, suggests that their stories were once hidden, and urges listeners…
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The Mad Hatters’ 1984 release features two tracks: a praised rendition of P.F. Sloan’s “Eve of Destruction” and the original “Dancing with the Dead.” Hailing from Cornwall, the band blends British psychedelic and folk rock, gaining recognition in both Europe…
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Atilla & the Huns – ’Betty Cooper’ taken from the LP on (Music Maniac MMLP 028) 1991 Atilla & the Huns | Under The Bodhi Tree | (Music Maniac) 1991 | It was a chilly Autumn morning when the lone…
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The 28th Day’s track “Burnsite,” from their 1985 mini-LP, is hailed as a standout piece reflecting the ’80s drug culture, set against powerful guitars and catchy pop hooks. With a unique blend of traditional and modern folk, the band, alongside…
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The Pandoras’ album, ‘It’s About Time’, released in 1984, showcases their vibrant sixties-style garage pop. With catchy songs and captivating performances, the band quickly garnered attention. Lead vocalist Paula Pierce and her dynamic bandmates bring energy and charm, promising listeners…
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The LP “Zebra is the Name,” released by Dionysus Records in April 1989, showcases a blend of 60s garage, rock and roll, and punk. Featuring Zebra’s delicate vocals supported by seasoned musicians, it includes notable covers, such as The Ramones’…
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The Unclaimed, formed in 1979, has become a notable presence in the 1980s music scene, blending 60s influences with modern rock. Their sound evokes nostalgic garage bands, emphasised in their recent six-song EP. Although gaining some traction in media, challenges…
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This Can’t Be Today | American Psychedelia & The Paisley Underground 1977 – 1988 | (Cherry Red) 2025
This Can’t Be Today is a comprehensive anthology celebrating 80s American psychedelia and the Paisley Underground, showcasing both prominent and obscure artists from 1977 to 1988. Compiled with passion, it reflects a vibrant college radio scene and highlights the era’s…
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The “Black Winds” series on Mixcloud showcases contemporary garage punk and psychedelia from underground groups largely unknown to mainstream audiences. Featuring a diverse array of genres such as Dream Pop and Folk-Rock, the mixes highlight overlooked artists and their unique…
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The Voo-Dooms’ latest EP, “And It Goes Like This”, released by Spinout Nuggets in April 2019, showcases their unique blend of pre-Beatles English rock and mid-sixties American garage. The limited green vinyl edition is accompanied by promotional goodies. The band,…
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Thee Vicars, a youthful British garage rock band from Bury St. Edmunds, gained recognition in the mid-2000s through MySpace. Their 2009 single “You Lie” features energetic riffs reminiscent of The Kinks and includes the unreleased B-side “Gonna See Me Again.”…
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The Unclaimed’s “You Never Come” EP, released in October 2019 by Groovie Records, features four new tracks penned by the late Shelley Ganz, showcasing his enduring talent. Notable is “Kitty Girl Valentine,” a catchy track praised for its beautiful melody…
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“The Youth’s debut single ‘Fancy You’ / ‘Your Love’ (Wilde Beat Records, 2013) blends authentic ’60s Beat music with modern energy, showcasing thrilling rhythms and dynamic vocals. Originating from Denmark, the band emerged from childhood explorations of music, creating a…
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The Strollers’ 2000 single “Anything Right” features three reflective tracks showcasing their softer side, written by Jens and Jennifer Lindberg. While “Anything Right” offers a decent garage ballad, the other two tracks, “I’m Through” and “Evening Star,” lean towards a…
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In 1997, Detour Records released “Superman” and “Slick Chick” by the obscure Belgian band Supersonic, defying the digital trend. The lead track features a Kinks-inspired riff and dynamic drumming, while the B-side offers an eclectic instrumental experience. Despite their anonymity,…
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The author recalls owning Vibraphone’s 1996 single on Guerssen, purchased from Detour Records during the nineties. Despite a promising cover, the songs “Someone’s Stolen My Feet” and “I Wonder Why” are deemed subpar, sounding like unfinished demos. Some members later…
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Sure, ever since the ’60s garage bands have all sounded alike —mean, macho and dirty thanks to the sax, Farfisa and fuzztone guitar — but then that’s because, as Lester Bangs succinctly put it, they offer “20 years of rock…
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Portuguese label Chaputa! celebrates its 100th record release with “Still Primitive | Volume One: The Legacy”, featuring recreations of 60s garage beat classics by modern garage punk bands. Contributing artists include The Loons, The Mourning After, and Greek band The…
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Debut album from the Vox instrument worshippers (December 2025) Wyld Gooms | LP | (Outro) 2025 | Well folks, it’s finally here . . . the debut album from the magnificent garage punk Knights of L.A., a.k.a. Wyld Gooms. After…
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The Stomachmouths, a notable Swedish garage punk band from the mid-80s, released their debut single “Wild Trip”/”Don’t Put Me Down” in 1985. Their unique sound, characterized by fuzz and Farfisa elements combined with wild vocals, quickly gained popularity, leading to…
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In an interview with Martin Ratcliffe, he discusses the band The Mystreated and their new LP, “Ever Questioning Why,” recorded in three days. Ratcliffe reflects on the evolution of their sound, track meanings, and songwriting processes, emphasizing authenticity and personal…
