The Country Gentlemen: 60s Long Island Garage Band

West Hempstead, Long Island mid-60s garage band The Country Gentlemen are under the spotlight: Bass guitarist Don Droege answers my questions.

The Country Gentlemen long Island: Don Droege bass player with mid 60s teen beat band The Country Gentlemen recently happened to surf onto my blog and thankfully got in touch. He kindly answered my questions and sent me some totally cool pictures of the band.

It’s quite a lengthy chat and it may pay to print and read at leisure. Anyway here’s Don’s recollections of his time in this fine garage combo.

The Country Gentlemen. I dig the name of the band. Can you remember how that came about?

Yeah, I was in a band, actually my first band, and we were playing at a party, Bobby and Billy Alessi came and were listening to us and I was singing The Zombies song ”Tell Her No”.

I was the lead vocalist and the bass player in that band.

Well, Bobby turned to Billy and said ”We’ve got to get that guy in our band!” Well that’s how we got together not actually how we got our name and to be quite honest it was a bit of a group effort coming up with our name.

We weren’t a ”city” band and we were nice suburban kids, so . . .

We dressed up in tuxedos

In the beginning we used to dress up in tuxedos! I’ll attach a picture of us like that, it’s a riot!!!

Oh, I was talking to Bobby last year and I was reminiscing about how we first met and he says ” I remember the song you sang at the party where Billy and I first saw you, it was ”Tell Her No” by the Zombies” and I was amazed he remembered that too.

Were you all friends before forming the band. Did you all go to the same school?

Well, Bobby, Billy and I went to West Hempstead High together. We were the first guys to wear our hair long and took a lot of shit from the jocks and the hoods for our hair and clothes.

We wore Bell Bottom jeans and wild shirts and people thought we were from another planet but by the next year everyone was trying to look just like us.

I guess you could say we were a little ahead of our time. Our Drummer Bob Pelicane was a catholic school guy but lived a few blocks from Bobby and Billy.

The Country Gentlemen pictured at a gig
THE COUNTRY GENTLEMEN

You were all teenagers at the time so I suppose gigging in Clubs was out of the question. Did you play much live, and if so where? Did the band support and of the ’major’ bands?

When we were young there were a few ”Teen” clubs that were popular. The one that we played in almost every weekend was called ”The Mod Scene” .

We were like the house band and I even wrote a song for the place which we played at the end of each show. (Have a Mod Mod Time at the Mod Mod Scene) they loved it !

Murray the K’s World

We did play a gig at a place called Murray the K’s ( yes the self-proclaimed 5th Beatle) World. It was actually a converted Airplane hanger in Roosevelt Field that held about 5000 people. We opened for The Standells, who’s ”Dirty Water” single was at the top of the charts at the time.

We were awe-struck playing in front of that many people but because we had so many of our fans there we received an enthusiastic ovation.

Two side notes: The Standells needed another amp and borrowed Billy’s and proceeded to blow it up. Billy was really upset and even more so when they left without reimbursing us for the damage.

Needless to say after that we never ”loved that dirty water”. Also Roosevelt Field is now one of the largest shopping malls in America!

We also played in the Catskills in a place called Raleigh Hotel. We played in the lounge while the headliners (one of our favourite local Long Island groups at the time) The Young Rascals played the main room.

The Café Wha?

And of course we ventured into Manhattan to play at The Café Wha? In Greenwich Village. That was probably the most adventurous thing we did because we were so young and I was the only one with a driver’s license.

We would unload Billy and Bobby’s Dad’s work van and he would let us take it in to the city! Going into the village in the 60s was like stepping into a different world.

The Fugs were playing upstairs to us and The Lovin’ Spoonful were playing down the street and the whole place was alive with music and people we had never heard of. This was still the time that the Folkies and the Beatniks were still in” and us young Rock and Rollers were the ”new” thing.

We also did beach club gigs in the summer on Long Island. There were these clubs that would hire bands to play in the afternoon.

One day at a club called ”The Sands” we were playing in one room when another band, in another room began playing and we started to loose our audience, so like any good group we took a break and went to check out the competition.

Billy Joel

Well we came upon this group who didn’t sound too bad but only had one singer (after all we had four, we all sang). So we came the conclusion that we had to be much better than that group. The groups name was The Hassles and their only singer was Billy Joel.

Did you know any other bands/musicians? New York had quite a scene going those days.

Well, like I said we were not a ”city” band so we didn’t live the life of musicians, school during the day practicing at night and gigging on the weekends.

We did do a ”Battle of the Bands”, I think it was in Levittown, I wish I could remember the names of all the bands there, there must have been fifty there, all I remember is that we took home the first place trophy!!

And we were so infatuated with all the English groups. Some Long Island groups we knew were The Vagrants (Leslie West of Mountain fame first group) and The Illusion with Johnny Vinci as lead singer.

The Illusion were from the same town as we were but were a bit older so they played in bars. We would sneak in with phony proof to see them. Also a group called Blue Oyster Cult was from our area.

Break-up

The Country Gentlemen released one 45 then were gone. Why break up?

It’s something I remiss to this day, it was probably my fault. My father had a prosperous Plumbing and Heating business that he wanted me to be a part of so he was always trying to make me feel bad about playing music and not working for him.

I guess I finally succumbed to him and quit the band. (big mistake).

Did you play in any other bands?

Not me. I still play for my own enjoyment. I write and play piano and guitar as wall as bass.

After the Country Gentlemen

After The Country Gentlemen, Billy and Bobby had a few different groups before forming Barnaby Bye with Peppy Castro from The Blues Magoos (their hit song ”We Ain’t Got Nothing Yet” continues to get airplay to this day) and Mike Ricadella from The Illusion.

We were still very good friends at the time even though we had broke up as a group, Billy and I even shared an apartment for a few years.

After Barnaby Bye Billy and Bobby continued their solo (duo) career as ”Alessi” and made a number of albums and are still recording as Alessi and Barnaby Bye has reunited and are coming out with a new CD! They’re actually performing in April locally and I’m going to the show.

The Country Gentlemen pictured at a gig
THE COUNTRY GENTLEMEN

What was your bass guitar of choice?

I get that sick feeling in my stomach when I think of the instruments I gave away or sold for almost nothing. I had an original Mini-moog!

My first bass was an inexpensive Hagstrom which is seen in the Café Wha? Pictures and as soon as I could afford it I got a hollow body double cutaway Guild bass.

It was the same one that Chas Chandler of the Animals used and I am still on the lookout for one.

I also had a Fender J bass which I also sold when I was trying to work my way through art school in the 70s (I went to The School of Visual Arts in Manhattan).

Brent record label

Was the Brent 45 the band’s legacy or is there any demos lying around somewhere? Or band pictures?

Actually, I had a few rare test pressings of some songs we did before the Brent 45 but I’ve lost track of them and I am in the process of trying to reclaim them ( they might be somewhere in my old house now occupied by my ex-wife). As far as pictures, I have a few that I’ll send you along with this e-mail.

What songs did you perform live? Did the band have any other original songs in the playlist?

We were basically a cover band but we had at least a half a dozen originals we always played in our sets. Billy and I were constantly writing and Bobby got the bug soon after. Between the three of us we could have easily come up with an albums worth of tunes if we has stayed together.

Who were The Country Gentlemen’s main influences?

Our influences were the bands we loved to cover, The Beatles, The Rolling Stones, Donovan, The Kinks, The Yardbirds, The Turtles, The Zombies, The Dave Clark Five, The Spencer Davis Group and The Hollies.

We also covered The Rascals, The Beach Boys ( Bobby and I are still huge Beach Boys fans) as well as groups like Paul Revere and the Raiders.

Other groups we were influenced by but didn’t actually cover were Buffalo Springfield, The Byrds, The Doors, Dylan, The Everly Brothers, The Drifters, Elvis, Wilson Pickett, Van Morrison, The Who, Procol Harum, I could go on but . . . . 

Afterthoughts

So there it is, ten questions answered, hope you found it as enjoyable as I did remembering it! Thanks again for the interest and I’ll be glad to answer any questions you might have in the future.

P.S. My 19 year old daughter’s boyfriend turned me on to your website, he’s a musician as well an he’s a bona-fied 60 fanatic as is my own daughter, in her words ”There was just so much good music going on back then”. I am glad I was a part of it.

P.S.S. That 12 string you noticed in the picture I sent was a Framus, unfortunately Bobby no longer has it.

Originally posted on ’Flower Bomb Songs’ February 2008

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20 responses to “The Country Gentlemen: 60s Long Island Garage Band”

  1. […] music after listening to a band called The Music Machine at a gig in The Highway Inn in Roosevelt, Long Island. The Music Machine played a song called ’Hey Joe’ which influenced the songs sound and […]

  2. […] the time Mainstream Records released Long Island’s Bohemian Vendetta’s second single ”Riddles & Fairytales” was […]

  3. […] It was also recorded by The Rising Sons. The sublime arrangement is credited to Hollywood session guitarist and producer Richard Podolor who has been mentioned on my Blog before for his work with The Chocolate Watch Band and The Standells. […]

  4. […] The Standells version from April 1967 is the definitive go to turntable action burner but this cut by The Ohio […]

  5. […] by Ramona Wingate. It’s a moody beat affair and sounds very much influenced by The Zombies, at least to my ears. The other side ”Shades Of Blue” as the title suggests, is a […]

  6. […] Long Island, NY group Music Bachs were a popular outfit in the own locale but seemingly didn’t make any waves further field leaving just two singles on Date behind. At first I thought they could have been simply a studio group cobbled together by the label in the hope of a hit record. This is not true of course. […]

  7. […] a collectable 45 for folk-rock lovers and Left Banke fans. Christopher & the Chaps hailed from Long Island, NY and included in their ranks Michael Lookofsky a.k.a. Michael Brown who later became a member of […]

  8. […] psych tune. It’s interesting to note that he wrote the song. He wasn’t very prolific in The Standells. As far as I know his only appearance as a songwriter was with the ultra cool ’Mr […]

  9. […] flip ’Now That I’m Hoping’ is a pleasant slow paced pop song, similar to The Zombies sound (at least to my ears) and remains […]

  10. […] flip, ’Woman’ is their interpretation of The Zombies killer but more […]

  11. […] Else have that well produced L.A. sound coming across like The Standells. ’Baby You’re Wrong’ has got some prominent fuzz base lines and was compiled on […]

  12. […] It was also recorded by The Rising Sons. The sublime arrangement is credited to Hollywood session guitarist and producer Richard Podolor who has been mentioned on my Blog before for his work with The Chocolate Watch Band and The Standells. […]

  13. […] The flip ’The Girl Who Faded Away’ is a gentle ballad in a Paul McCartney style. Tom confirms that it was influenced by the minor key kings The Zombies. […]

  14. […] of ’It’s Alright With Me’ which absolutely slays the original by The Zombies. This barely controlled raver would have made a fantastic 45 with ’Bye Bye Baby’ on the […]

  15. […] teen blast of ’It’s Alright With Me’ which absolutely slays the original by The Zombies. This barely controlled raver would have made a fantastic 45 with ’Bye Bye Baby’ on the […]

  16. […] ’Where Is Mary’ is a cool pop psycher with cornball lyrics and was written, arranged and produced by Larry Tamblyn (best known for his keyboard skills with The Standells). […]

  17. […] playing private parties and house parties on weekends, then expanded to gigs in clubs, such as the Cafe Wha? and the Go-Go in the […]

  18. […] a sizeable following in their home base of Long Island, New York, The Tuneful Trolley released ’Island In The Sky’ in 1969 to national […]

  19. […] which left the rest of the performers weak with laughter. With the help of Dickie Dodd of The Standells, the boys erected a screen and put on light shows using different colours and shadow […]

  20. […] was carried out by Standells member Larry Tamblyn and East L.A. face Eddie […]

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