Latest Posts
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T.C. Atlantic, a popular Minnesota club act in the 1960s, is noted for their live performances and covers, as depicted in their album “Live At The Bell Rae Ballroom.” Their standout single “Faces” features unique acid punk elements, contrasting with…
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The Scott Bedford Four’s track “You Turned Your Back On Me” was released by Congress in August 1965, featuring a vibrant sound with prominent 12-string guitars and harmonica. Despite being a Billboard ‘Chart Spotlight’ selection, the song did not achieve…
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“Yesterday’s Hero” / “Marie” by The Satyrs, released in 1968, is a notable garage single by a teen band from Haddonfield Heights, New Jersey. They performed locally and supported bigger acts but faded after just one pressing of 400 records,…
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“Wanted: Dead Or Alive” by The Rogues, released in November 1965, showcases early work by Michael Lloyd and Shaun Harris, who later formed The West Coast Pop Art Experimental Band. The track is noted as a strong reinterpretation of “Hey…
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Richard and the Young Lions, fronted by Richard Tepp, released three singles in the mid-1960s that showcased their garage rock style. Their debut, “Open Up Your Door,” featured prominent fuzz bass and a tribal drum sound. Subsequent releases, like “Nasty,”…
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“Just Like You” is a 1970 album by Pugsley Munion, showcasing a powerful local trio sound reminiscent of Cream. Highlighted by the track “Trouble,” it features excellent guitar work and jamming. Despite a stockpile of copies discovered in the 1990s,…
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“Sanc-Divided,” featured on the 1971 LP ‘Moon Blood’ by Fraction, is hailed as a quintessential underground heavy psych album. Influenced by the Doors, it combines intense tracks, heavy guitars, and a unique emotional style. Notably, the song trio “Come Out…
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In a 1982 NME interview, Paul Weller reflects on The Jam’s final statement, ‘Beat Surrender’, expressing a blend of optimism and realism in their music. He discusses his evolving songwriting style, critiques the music industry, and conveys his desire for…
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In a December 1982 interview, Paul Weller reflects on the disbandment of The Jam, discussing his creative freedom and the pressures of commercial success. He emphasises the importance of integrity in music, critiques the music industry, and expresses a desire…
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“The Days Of Wine And Roses” by The Dream Syndicate, released in 1982, showcases a distinctive sound reminiscent of Lou Reed and The Velvet Underground. The album explores deep emotional themes through powerful lyrics and harsh guitar arrangements, balancing inspiration…
